A work-break doodle that turned into a self-indulgent self-portrait.

A work-break doodle that turned into a self-indulgent self-portrait.

Some examples of the many character paint/textures I did for Cloudy 2! Cloudy has this unique look that really plays with using flat textures on CG objects. It was a lot of fun to work with. Characters designed by Andre Medina and Craig Kellman.

Some examples of the many character paint/textures I did for Cloudy 2! Cloudy has this unique look that really plays with using flat textures on CG objects. It was a lot of fun to work with. Characters designed by Andre Medina and Craig Kellman.

This color key (designed by the awesome Aaron Spurgeon) was one of my favorite color keys to paint… even if it did make me really, really hungry. Actually, being inspired to eat because of this movie was sort of an occupational hazard. This color key is a pan, meant to start at the bottom with the characters and pan upward to reveal the cheese spider. I enjoy how deliciously dramatic it turned out… even if the burger looks a little cheesy. (Ha!)

This color key (designed by the awesome Aaron Spurgeon) was one of my favorite color keys to paint… even if it did make me really, really hungry. Actually, being inspired to eat because of this movie was sort of an occupational hazard. This color key is a pan, meant to start at the bottom with the characters and pan upward to reveal the cheese spider. I enjoy how deliciously dramatic it turned out… even if the burger looks a little cheesy. (Ha!)

More lighting and color keys for Cloudy with a Chance of Meatballs 2! These color keys were my first real test in painting keys - and it was definitely trial by fire. This is actually part of a much larger sequence that myself and three other vis. dev. painters (Seonna Hong, Dean Gordon, and Jerry Loveland) worked on together. It was such a unique experience to paint this way - since we each took a section of the sequence, we had to make sure what we were painting linked up to the paintings of whoever was doing the sections before and after our section. I loved painting this - I think I got the most exciting part, even if I did get sick of painting coconut milk after a while! And let me tell you, painting coconut milk in direct sunlight, against a yellow sky… not easy.

Seeing this sequence in the film was so gratifying - the shots, especially the shot of them flying down the fruit waterfall, look exactly like my paintings. It was surreal and wonderful to see my work on the big screen - which is why I also included an image of my name appearing in the credits at the end of the film (along with the names of the many other talented artists I worked with). I hope you forgive me my giddy-ness, this was my first time getting to see my name “in lights;” and to have that moment be alongside people, and for a project, I truly love… well, it doesn’t get much better than that!

(Top image designed by Pete Oswald.)

I guess now that the movie is out and the “art of” book is in stores, I can show some of the work I did for Cloudy with a Chance of Meatballs 2! Please pick up the “art of” book; it is, in my unbiased opinion, really gorgeous and full of amazing art by talented artists… not just me. I feel really honored to have so many of my paintings included in it!

These paintings are some examples of the many color and lighting keys I did for the film (I will be posting more of these for sure!). I feel particularly proud of this sequence. Dave Bleich, the film’s Art Director, created a beautiful color script for the movie, but this sequence was to deviate from the original color script…  and as a result, Dave really let me take the lead on deciding the tone, lighting and color. It was an incredibly rewarding experience! I learned so much about his process of coming up with the color and lighting, and this was my chance to really put those lessons into action. Thanks, Dave, for letting me make the grass green.

More Cloudy 2 art to come soon!

This Saturday (the 28th) from 3-6PM at Gallery Nucleus in Alhambra I will be participating in a book signing and Q&A session for Cloudy with a Chance of Meatballs 2! Click here to see the official page for the event. So, if you’re in the LA area this weekend, bring your questions, get your books signed, and come say hello!

This Saturday (the 28th) from 3-6PM at Gallery Nucleus in Alhambra I will be participating in a book signing and Q&A session for Cloudy with a Chance of Meatballs 2! Click here to see the official page for the event. So, if you’re in the LA area this weekend, bring your questions, get your books signed, and come say hello!

A plein-air painting done at the Griffith Observatory a few weekends ago… which I then shamelessly pretty much re-painted in photoshop. The original was watercolor and took about an hour; maybe next time I’ll be brave enough to show the original. 

A plein-air painting done at the Griffith Observatory a few weekends ago… which I then shamelessly pretty much re-painted in photoshop. The original was watercolor and took about an hour; maybe next time I’ll be brave enough to show the original. 

It’s a busy blog week for me! More from that same kid’s book idea. I’ve had this image stuck in my head for a few weeks now, and finally had time to do something with it. I’m having too much fun with these “one-off” images - gotta actually figure the story out now. Details!

It’s a busy blog week for me! More from that same kid’s book idea. I’ve had this image stuck in my head for a few weeks now, and finally had time to do something with it. I’m having too much fun with these “one-off” images - gotta actually figure the story out now. Details!

I’ve been taking the metro to work this week, and it’s been great for people watching. I think the work-break-doodle will be replaced with the work-commute-doodle. Definitely drawing on a moving (and bumpy) train has been a challenge, but it helps me not to get too invested, and to just try to make the accidental brush strokes work.

I’ve been taking the metro to work this week, and it’s been great for people watching. I think the work-break-doodle will be replaced with the work-commute-doodle. Definitely drawing on a moving (and bumpy) train has been a challenge, but it helps me not to get too invested, and to just try to make the accidental brush strokes work.

A quick painting for a children’s book I’m tinkering with. This was done while watching the latest episode of project runway, and I feel like it somehow effected the look of it, but I can’t pin down exactly how… (Sewing pun!)

A quick painting for a children’s book I’m tinkering with. This was done while watching the latest episode of project runway, and I feel like it somehow effected the look of it, but I can’t pin down exactly how… (Sewing pun!)

All artwork © Samantha Kallis 2014

A lady illustrator and vis-dev artist living and working in lovely little Los Angeles.